Course Search Results

• ENGL 332: Twentieth Century British Fict

  3.00 Credits

  The Citadel

  
  A course in the reading and critical analysis of selected British novels by writers like Conrad, Joyce, Lawrence, Forster, Woolf, and Waugh.
  ShareENGL 332 - Twentieth Century British Fict

• ENGL 339: African American Lit 1940-Pres

  3.00 Credits

  The Citadel

  
  A survey of African American poetry, drama, fiction, and nonfiction from 1940 to the present, with emphasis on significant literary developments such as the Protest Movement, the Black Arts Movement, Neorealism, and the New Black Aesthetic. Authors studied may include Wright, Ellison, Hansberry, Angelou, Walker, Wilson, Morrison, and Shange.
  ShareENGL 339 - African American Lit 1940-Pres

• ENGL 340: Southern Literature to 1900

  3.00 Credits

  The Citadel

  
  A survey of the literary achievement of Southern writers from 1710 to 1900.
  ShareENGL 340 - Southern Literature to 1900

• ENGL 350: 20th Century American Poetry

  3.00 Credits

  The Citadel

  
  A survey of American poetry since 1900. The course will cover such poets as Robinson, Frost, Eliot, Stevens, Pound, Williams, Hughes, Moore, Bishop, Ginsberg, Rich, and Dove.
  ShareENGL 350 - 20th Century American Poetry

• ENGL 362: Survey of World Literature II

  3.00 Credits

  The Citadel

  
  Masterpieces of world literature in translation, including non-Western literature, with special attention to the philosophical content and development of literary forms. ENGL 360: From the Rig Veda to Dante. ENGL 362: From Boccaccio through the nineteenth century. ENGL 364: Twentieth century
  ShareENGL 362 - Survey of World Literature II

• ENGL 368: Twentieth Century Drama

  3.00 Credits

  The Citadel

  
  Representative plays of the twentieth century, with emphasis on European and non-Western works.
  ShareENGL 368 - Twentieth Century Drama

• ENGL 372: Film Studies

  3.00 Credits

  The Citadel

  
  An in-depth analysis of cinematic art, emphasizing feature films. Films and issues studied will include major works of American cinema and world cinema, newer critically-acclaimed films, the history of film, the social significance of film, and contemporary issues related to film.
  ShareENGL 372 - Film Studies

• ENGL 373: Special Topics in Film Studies

  3.00 Credits

  The Citadel

  
  An in-depth analysis of a special topic or genre of film. Films and issues studied may include major works of American Cinema and world cinema, newer critically-acclaimed films, the history of film, the social significance of film, and/or contemporary issues, all as related to the specidied topic or genre.
  ShareENGL 373 - Special Topics in Film Studies

• ENGL 375: ST: Literature or Language

  3.00 Credits

  The Citadel

  
  A study of an individual author, topic, or problem in literature or language.
  ShareENGL 375 - ST: Literature or Language

• ENGL 380: Espionage in Literature & Film

  3.00 Credits

  The Citadel

  
  This course will study the immensely popular literary genre of espionage fiction, which has captivated world audiences for much of the twentieth and twenty-first centuries. We will examine depictions of espionage from the earliest times to the present, focusing in particular on novels and films from the Cold War period. We will seek to account for why espionage literature became so popular and what its greatest works offered readers of their own time and what they continue to offer readers of today. Among the questions our class will ask of these works are: What are the essential elements of espionage literature as a genre? What is the precise appeal of these sorts of stories, novels and films? Why did they rise so quickly in popularity after World War I, and why have they endured in popularity? How has espionage novels and films changed in the wake of the end of the Cold War? How have recent changes to the way nations, rulers, and even corporations perform espionage activities influenced the literature of espionage, and has the literature of espionage influenced the way spying is done today? What is the future of espionage literature? Not open to students who previously took ENGL 375 with the same topic.
  ShareENGL 380 - Espionage in Literature & Film